November 15, 2006

Jihad beats McWorld

A story over the weekend in the Times chronicled the use of hip-hop music by Islamists to spread their messages.

HIP-HOP and rap artists are teaching young Muslims the ideology of radical Islamism through songs about the war in Iraq, the oppression of Muslims and the creation of an Islamic state governed by Sharia, or religious law.
Intelligence agencies have identified music as a “tool for indoctrination”. The phenomenon began with an American group called Soldiers of Allah. The group has since disbanded but its music and lyrics remain popular on the internet. Other groups in Britain, France and the US have been identified as giving cause for concern. Many use the derogatory term “kufur” to describe non-Muslims.

[ . . . ]

“The music is very persuasive because it is giving young people ideas, and those ideas are what might motivate someone to become a jihadi. The material is all in English. It’s spreading a radical message to domestic populations that don’t speak Arabic or Urdu.”

Commentary

"American culture conquers all" is a meme that has circulated for years. A friend used to joke that if Britney Spears could have been convinced to do some concerts in Afghanistan, there would have been no need for a US invasion.

Yet stories like these hint at a different set of conclusions: that like any other Western innovation, pop culture can be subverted to serve the virus of radicalism. In this case, the use of hip hop, a form which glorifies the artist and his ego, serves to glamorize jihad.

Rather than meeting radicalism with apple pie and entreaties to freedom vacuously defined as popular music, jeans and McDonald's, it seems that the much-vaunted "war of ideas" that is sometimes heard but rarely elaborated upon will have to actually take place, and hold some substance. Moreover, it seems that any new memes introduced to fight against those of the radicals, will have to be Muslim in origin, even if they use Western forms, as seen here. It is a complex problem and one unlikely to be solved by any government, if it can be solved at all. Creating counternarratives is a task best left to the private sector in the West, and putting such narratives in the form of popular music will take some time -- not in the least because those most likely to do so probably feel that their lives will be endangered.

Written by Chester at 12:02 AM | Link | Comments (3) | TrackBack (0) | Print Article